Despite real progress in recent years toward improving sustainable business
practices, there is still one area the apparel industry hasn’t quite figured out
yet — and it’s a big one.
As the detrimental impacts of fast fashion continue to be documented and
quantified, manufacturers, retailers and fashion brands are responding by
improving practices in areas such as sourcing and replenishing of raw materials,
water usage, environmental pollution and human
rights.
These advancements are often featured prominently in brand messaging campaigns
and annual corporate social
responsibility
(CSR) reports as consumers, investors and regulators demand more accountability
from companies to reduce environmental impacts and improve social responsibility
in the manufacturing process. While some progress is being made and should be
applauded if the efforts are truly sustainable and not
“greenwashing,”
these sustainability efforts have predominantly been focused on the front-end of
the clothing manufacturing process and along the supply chain.
Unfortunately, much less attention is being paid to the complete lifecycle of
these goods.
Circularity by Design: How to Influence Sustainable Consumer Behaviors
Join us Thursday, December 5, at 1pm ET for a free webinar on making circular behaviors the easy choice! Nudge & behavioral design expert Sille Krukow will explore the power of Consumer Behavior Design to drive circular decision-making and encourage behaviors including recycling and using take-back services. She will share key insights on consumer psychology, behavior design related to in-store and on-pack experiences, and how small changes in the environment can help make it easy for consumers to choose circularity.
The apparel industry produces millions of tons of deadstock each year. Yet, the
industry has no best practices in place to responsibly handle all of this
surplus inventory. Deadstock is often fueled by over-purchasing, manufacturing
specification errors, misprinting and decorating flaws. At the retail level,
dead inventory piles up due to customer
returns,
damaged/soiled goods, broken size runs/one-offs, dated goods, failed designs,
and even social-justice initiatives. Deadstock is a universal industry challenge
without a current widescale solution.
Unlike in other industries, the resources and effort it takes to recycle
clothing can be much greater compared to other consumer goods. To separate,
treat and process clothing
waste
into new material and then reuse it to make new clothes can generate many of the
same harmful effects found in the initial production process. In addition,
recycling often results in lower quality and less valuable material. As a
result, much of the sustainably produced merchandise that doesn’t sell still
ends up in landfills or
incinerators,
which pollutes the environment. Estimates show that less than 15 percent of
clothing in the US is currently recycled.
This points to the need for the industry to adopt
upcycling
as an additional approach to existing sustainable practices.
Deadstock got its name from the fact that the industry traditionally perceived
the lifecycle of a piece of clothing as linear, with the end stage seeing the
item discarded or destroyed as waste. Large-scale upcycling has the potential to
create a more direct, less harmful and circular
approach to
creating new merchandise from unsold, surplus inventory and returning it to the
marketplace. The more companies adopt upcycling as a greater part of their
sustainability efforts, the less need there will be to engage in the harmful
practices inherent in the up-front manufacturing process and along the supply
chain.
Unlike recycling or reclaiming methods, upcycling uses virtually no energy and
zero water, has very low environmental impact, and doesn’t diminish the quality
or value of the merchandise. In fact, by using creative approaches to transform
deadstock into new products, fashion brands can design unique merchandise from
existing materials that have greater appeal to today’s eco-minded consumers and
higher value than the original garments from which they were made.
A growing number of boutique or niche fashion brands — such as Beyond
Retro, Re/Done, and
Zero Waste Daniel — are finding success with a
variety of approaches to apparel repurposing. However, many of the large
manufacturers, retailers and fashion brands with robust sustainability programs
in the up-front production process have little to no best practices in place for
managing their enormous volumes of new, unsellable merchandise.
The good news is, larger companies are not only beginning to dip their toes into
the upcycling stream; some are jumping right in. Since upcycling adds a new
manufacturing step after what was traditionally the end of the apparel
lifecycle, most companies are not equipped to upcycle merchandise in-house. As a
result, a new sub-industry of upcycling partners is emerging that are equipped
to receive and “reimagine” increasingly large volumes of deadstock. Some brands
leading the way are those we expect to see, while others might surprise us.
Through its Urban
Renewal initiative,
Urban Outfitters continues to develop its upcycling capacity. Through a
partnership with Brooklyn, NY-based FABSCRAP, the
company is diverting would-be waste textile materials, while simultaneously
creating an accessible materials resource for creative communities. However,
most of their efforts currently appear to be focused on fabric waste from the
production process rather than deadstock.
Patagonia partnered with LA-based Suay Sew Shop
to assist with its new
ReCrafted collection of clothes
made from damaged goods that have been turned into entirely new, one-of-a-kind
products. The company has also been taking back worn-out or no-longer-worn
Patagonia apparel from customers for refurbishment and resale through its Worn
Wear
marketplace.
Other prominent brands such as Champion and Pottery Barn have partnered
with Oregon-based The Renewal Workshop to
clean and repair unsold, damaged merchandise. The renewed products are then
certified, co-branded and returned to the marketplace.
In the dynamic sports industry, when the Washington Commanders decided a
name change was needed to advance social
justice,
thousands of pieces of branded merchandise became deadstock overnight. The
Girl Scouts of America faced a similar deadstock challenge when the
organization decided to launch more sustainable uniforms and needed a
responsible solution for the existing inventory on hand. Both organizations
turned to New Bedford, MA-based Refried
Apparel to help them transform their unsold,
obsolete merchandise into new fashion apparel and accessories.
Adopting and investing in new business models is no easy task. It takes time,
education and commitment. These are just a few examples that show how upcycling
can become an industry standard and a scalable best practice in the apparel
industry. Creative reimagining of deadstock at industry scale can cycle large
volumes of surplus merchandise back into the marketplace, while eliminating the
most environmentally damaging manufacturing stages and avoiding offshore labor
and supply chain issues. This represents significant opportunities and benefits
for the industry, workforce, consumers and the environment.
Get the latest insights, trends, and innovations to help position yourself at the forefront of sustainable business leadership—delivered straight to your inbox.
Mark Litos is co-founder of Refried Apparel — creator of unique fashion garments made from dead/surplus inventory and unsellable soft goods.
Published Mar 8, 2022 7am EST / 4am PST / 12pm GMT / 1pm CET